THE CENTER FOR
POPULAR MUSIC, MIDDLE TENNESSEE STATE UNIVERSITY,
MURFREESBORO,
TN
THOSE
DARLINS COLLECTION 11-029
Creator:
Anderson,
Kelley
Type of Material:
Manuscript
Material, Digital Files
Physical Description:
2 boxes,
including programs, articles, notices, business records and correspondence, tour
itineraries, promotional materials, posters, oversized magazine articles, and
digital photographs
Dates:
2007-2012
Abstract (Descriptive Summary):
This is a
collection of articles, promotional material, and business materials related to
the band Those Darlins. It also includes digital images and posters.
Access/Restrictions:
The
collection is open for research use. All
materials in this collection are subject to standard national and international
copyright laws. Center staff are able to assist with copyright questions for
this material.
Provenance and Acquisition
Information:
Those
Darlins founder, Kelley Anderson, provided the majority of the material in this
collection to the Center for Popular Music in December of 2011. Former Center
for Popular Music Archivist, Lucinda Cockrell, also actively collected articles
and news stories to document the group’s career.
Subjects/Index Terms:
Those
Darlins (Musical group)
Rock music
Women rock
musicians
Bluegrass
music
Cowpunk
music
Murfreesboro
(Tenn.)
Garage
rock music
Agency History/Biographical Sketch:
In 2006, Kelley
Anderson met Jessi Zazu and Nikki Kvarnes at the Southern Girls Rock and Roll
Camp in Murfreesboro, Tennessee. Together they formed Those Darlins, a band covering
rock & roll, country, bluegrass, and garage rock under its own label, Oh
Wow Dang Records. After ten years of touring and producing albums, the group
disbanded in 2016. They played their last show at Baby’s All Right in Brooklyn,
New York. Band members include: Kelley Anderson (bass), Jessi Zazu (guitar), Nikki
Kvarnes (ukulele), and Linwood Regensburg (drums).
Sources:
http://pancakesandwhiskey.com/2016/03/21/those-darlins-nail-their-last-show-ever-at-babys-all-right/
http://tenminuteinterviews.com/those-darlins/
Scope and Content:
This manuscript
collection contains online article print-outs, notices, tour schedules,
album/song release information, and promotional material for Those Darlins. The
collection also includes performance announcements, discography, posters, and oversized
news and magazine articles about the band. Dates of materials range between
2007 and 2012.
This
collection also includes digital files, including 17 digital images and a
document linking to online articles about the band.
Collection Contents (Box/Folder List):
Box
1 Manuscript Materials
Folder 1 Articles and notices
Folder 2 Promotional materials
Folder 3 Tour itinerary, business records, correspondence
Folder 4 Miscellaneous (includes ink sketches)
Box
2 Oversized Manuscripts
Posters; oversized magazine and newspaper articles (Nashville Scene, Sidelines)
Materials
Cataloged Separately:
Per Center
policy, certain formats are filed and cataloged separately for accessibility. Examples
of these materials from this collection include CDs: Those Darlins, Those Darlins (Japanese
release), and Screws Get Loose. [For a complete list of separated materials,
please contact the Archivist at rachel.morris@mtsu.edu.]
Arrangement:
Unless
otherwise noted in the box and folder list, the arrangement scheme for the
collection was imposed during processing in the absence of a usable original
order. Digital files are housed on the CPM server, organized by digital format.
Location:
These
materials are located among the manuscripts housed in the CPM special
collections storage area, arranged chronologically by accession number. Digital
files are located on the CPM server (CPM_DC >> Digital Collections
>> Those Darlins 11-029).
Related Materials:
Other
related materials in the CPM collection include The Southern Girls Rock and
Roll Camp Collection (09-023). The Center holds other material such as sound
recordings, books, and manuscripts related to women in rock music or related
genres.
Initial processing
by Lucinda Cockrell, 2011-2014
Processed
by Emily Boersma, January 2017.